Showing posts with label welcome to the Rileys. Show all posts
Showing posts with label welcome to the Rileys. Show all posts
Friday, October 29, 2010
Thursday, October 28, 2010
New York TimeOut Interview: The Hot Seat, Kristen Stewart
The Twilight star turns to stripping.
By Sharon Steel
Kristen Stewart is often painted as one of Hollywood’s most awkward starlets—painfully shy, ill-suited to the spotlight and, for better or worse, entwined with the Twilight saga and her embodiment of its romantic heroine, Bella Swan. In Welcome to the Rileys, the 20-year-old actor plays Mallory, a teenage runaway stripper who forms a fast, intense bond with the grief-stricken Doug (James Gandolfini), who lost his daughter in a fatal accident. Together they create an ad hoc family only slightly more dysfunctional than most. We spoke with Stewart about Twilight, Rileys and hanging out in strip clubs.
You seem very attracted to roles in which you play someone who is defiant, constantly fighting for something—emotionally, physically. What is Mallory fighting for the hardest?
I think she’s just trying to survive. She’s had a rough upbringing, which has taken something from her on a really basic level. It’s hard for a young girl in the normal world, but put her on the streets…she doesn’t realize that she does actually need people, that she needs to have a capacity to trust, accept and love other people. She sees and tastes that with Doug, realizes she can have it, and she’s not dead yet.
You shot this film between Twilight and New Moon, before Twilight had even been released, and you were still very young. Did you feel ready to play a runaway stripper at that point in your life?
I think I was 16 or maybe freshly 17 when I first read [the script for Welcome to the Rileys]. I was really intimidated, and I’m really glad that the film took the time that it did to find its legs, because I wasn’t in the position to play the part [then]. I wouldn’t have jumped into it as much. I would have been afraid of it.
What changed, besides getting a little older?
In order to play it right and not be a total fraud, we went to strip clubs and I talked to girls in, like, really gross bars. [Director] Jake Scott gave me all these really great books and recorded and transcribed conversations and stories from kids who’ve grown up on the streets.
Did you talk to girls who had grown up on the streets, or were you just in the clubs?
I didn’t go talk to runaways at shelters. I didn’t meet anybody that was under, I would guess, 25? I mainly just talked to girls who told me funny stories. We didn’t really delve into their histories, but the books and stuff that Jake provided me with were really right on.
What was the best book?
Gosh, it’s sort of funny to tell people this—there was this one in particular that there were a few things that were perfect and pictures that were really beautiful and heartbreaking, just strange. It’s called Raised by Wolves. It’s so good. This guy basically endeared himself into this world of street kids in Hollywood.
What do you think about young people who have fallen through the cracks of life?
It’s a strange little society. It’s a world of people living in a vicious circle, you know, an altered, broken, strange existence. But they’re all a family, and they’re making it work. Mallory takes herself out of that.
Did anything about filming the movie scare you?
When I was shooting I lost my mind a little bit. I was so comfortable. I literally was stomping around the city in fishnets and half of a robe, like walking to set from base camp like, “No, fuck it, I’ll just walk, don’t worry about it.” I had absolutely no fear in the world. You never know if you can do something until you do it.
You’re under more pressure than most actors because of Twilight, and perceptions about typecasting and your range.
Yeah, and you know, it definitely doesn’t deter me in any way, but it’s something that I think about when asked: “Has anything changed?” That has, but the work hasn’t.
You’re about to shoot the final film in the Twilight saga, Breaking Dawn. Are you still enjoying it, or are you desperate for it to end?
I can’t wait to do it, I can’t wait to get it out…it’s the craziest, longest buildup. It’s just like, Let’s fucking do it already, you know what I mean? But at the same time, it’s sad. Not to be totally and completely candid, but—I know some people think they’re bad—but they’d be really bad if the cast didn’t really love them.
Welcome to the Rileys opens Fri 29.
Source via @500daysofRK
Kristen Stewart detours from 'Twilight' to a different kind of drama in 'Welcome to the Rileys'
The media-shy actress talks about her new role as a teen runaway-turned-stripper in the movie that also stars James Gandolfini, but keeps her personal life mostly under wraps.
By Amy Kaufman, Los Angeles Times
For once, Kristen Stewart seemed at ease.
The 20-year-old "Twilight" star was enjoying a rare moment of anonymity at one of her favorite restaurants, a rustic hideaway shrouded by a canopy of ferns, perched alongside a twisty road in Topanga Canyon. Notices for a local farmers market, a childbirth preparation class and a 70th birthday celebration for John Lennon decorated the haunt's bulletin board.
A few honeybees circled the veggie burger on her plate as she chatted about playing a teenage runaway-turned-stripper in her latest film,"Welcome to the Rileys," a drama coming to theaters Friday. She wasn't running her hands through her hair, or incessantly shaking her leg, or stuttering as she tried to express herself — all of the characteristic nervous tics she's often displayed in public since the first "Twilight" film rocketed her into a frightening orbit of celebrity two years ago.
Then, suddenly, her face fell. A stranger was timidly inching over to her table.
"Could I take a picture for my girlfriend in Thailand?" the man, who appeared to be in his 30s, asked. "She's a great-looking girl. I just recently got into your movies with her. Is that cool?"
Stewart paused, her left leg slowly beginning to bounce. "Yeah," she sighed. "Yeah, sure." She posed for a photo with the interloper.
Oblivious to her agitation, he lingered. "What's your name again? Kristen, right? Want me to show you my girl?" he asked, beginning to flip through images on his digital camera. "Just for her to know that I picked up breakfast at your restaurant. You know, we're the type of people that don't get out much."
Finally, he retreated. Stewart pulled the hood of her black sweatshirt over her head.
"It's strange when you become a novelty," she said, slouching down into her seat. "It's sort of like, 'Yeah, sure. Go put this on your Facebook so your friends can laugh at it.' Because that's what they will do. And I usually say no to people like that, when they're like, 'Yo, yo, can I get a picture of you?' And it's like, 'No, … you,' '' she said, interjecting an obscenity. "That's what I'm thinking."
Stewart, it's clear, is still grappling with fame, which came at her hard and fast when at age 17 she took on the role of Bella Swan in the "Twilight" vampire franchise, whose fourth installment begins production next month. She's always trailed by paparazzi. A frenzy breaks out whenever she's spotted off-set with "Twilight" co-star Robert Pattinson; tabloids speculate breathlessly about their personal lives.
(One celebrity website, for example, recently gushed about its "exclusive new details" on the pair's visit to a Play N Trade video game store in Prairieville, La., where they are preparing to film the first part of "Breaking Dawn." If you must know, they reportedly bought the game "Fallout: New Vegas.")
Unlike other young stars like Justin Bieber or Lindsay Lohan, who seem to relish sharing tidbits about their lives with fans on social networking sites like Twitter, Stewart has strenuously resisted constant demands to divulge more of herself to the public.
In past interviews, she's displayed a penchant for stuttering and eye rolling, consequently developing a reputation for being sullen, or awkward. During a 2008 interview with David Letterman, she self-consciously referred to herself as "actually really boring."
"I don't have a personality fit for television. I just don't," she admitted, sounding genuinely friendly. "Even when I really feel like I've had fun with something and been totally fine and we talked about stuff that I thought was interesting — even then. I don't know. It's getting easier. It used to be a lot worse. And it's totally my fault, too. I guess I just put too much pressure on myself before, and it showed."
Though she started acting half a lifetime ago — garnering early acclaim from the likes of Jodie Foster, who co-starred with her in 2002's "Panic Room," and Sean Penn, who directed her in 2007's "Into the Wild" — Stewart says she's been unable to nail a performance as a carefree, charming or cute interview subject, because that's simply not who she is.
Sixteen-year-old Dakota Fanning, who costarred with Stewart in "The Runaways" this year, picked up on her uneasiness during the film's media tour.
"I think that her being uncomfortable doing interviews — Kristen is exactly who she is. It's something that I admire her for," Fanning said. "When she's doing an interview, she really thinks about what she's saying. She's a truthful, honest person, and wants that to come across so badly."
Things got so bad, her team sent her to media training.
"Basically, they told me that I should be ready for any question that's thrown at me, and I should have a stock answer, because then it won't confuse things and you'll never be caught off guard," she recalled. "And there's no way to do that. There's no way to be prepared for a conversation with someone you don't know about something that means the world to you."
What seems to worry Stewart most about all the scrutiny, though, is that it could take away from her reputation as an actress with actual talent. It was her performance in "Into the Wild," before "Twilight" even came out, that convinced director Jake Scott that she was right for the lead in "Welcome to the Rileys."
"What I got from her in that movie was this vulpine, wily, kind of fox-like quality," he said. "She's got a way of looking at people that I found really compelling."
In Scott's film, Stewart plays Mallory, a foul-mouthed teen living on her own in New Orleans, working at a strip club. When she crosses paths with married couple Doug and Lois Riley ( James Gandolfiniand Melissa Leo), they take her under their wing and help her begin to turn her life around.
To prepare, Stewart took pole dancing lessons, visited strip clubs and didn't wash her hair for five weeks. Her appearance was so convincingly trashy, she said, that when she walked into a club off Sunset Boulevard, the owner offered her a job. The actress persuaded him to let her talk to the dancers to get insight about their lives.
"The only thing that I can figure out is that something most of the time was taken from them," she said. "Like, you can't hurt me more than I've already been hurt. And you can't abuse me more than I abuse myself every day, so I'm gonna take from you. I'm gonna take your money."
Her interest in bringing authenticity to the film energized Leo.
"There's a lot of young folks who want to be actors, but when they really have something going on, it makes me excited," said the Oscar-nominated actress. "She was 18 when we shot the movie — almost too young to know all the stuff she does, to get inside something like that. She had the willingness to literally be exposed in the way she was."
Scott says Stewart has become more confident in the two years he's known her and hasn't let celebrity warp her identity. "She's still Kristen to me — this kid from the Valley who's into Van Morrison and watching movies and hanging out," he says.
Fanning, though, says it might behoove Stewart to recalibrate her attitude about fame.
"Situations have happened to me when I was a cheerleader at school and paparazzi would sneak onto the field. It's something that comes along with what I've chosen to do with my life," said Fanning, who wasn't even 10 when her star took off after 2001's "I Am Sam." "Sometimes you have to accept it, even if you don't think it's fair or right."
Stewart fears that adopting that attitude might destroy her.
"I love my job," she said. "And because of that, I need to protect it."
The 20-year-old "Twilight" star was enjoying a rare moment of anonymity at one of her favorite restaurants, a rustic hideaway shrouded by a canopy of ferns, perched alongside a twisty road in Topanga Canyon. Notices for a local farmers market, a childbirth preparation class and a 70th birthday celebration for John Lennon decorated the haunt's bulletin board.
A few honeybees circled the veggie burger on her plate as she chatted about playing a teenage runaway-turned-stripper in her latest film,"Welcome to the Rileys," a drama coming to theaters Friday. She wasn't running her hands through her hair, or incessantly shaking her leg, or stuttering as she tried to express herself — all of the characteristic nervous tics she's often displayed in public since the first "Twilight" film rocketed her into a frightening orbit of celebrity two years ago.
Then, suddenly, her face fell. A stranger was timidly inching over to her table.
"Could I take a picture for my girlfriend in Thailand?" the man, who appeared to be in his 30s, asked. "She's a great-looking girl. I just recently got into your movies with her. Is that cool?"
Stewart paused, her left leg slowly beginning to bounce. "Yeah," she sighed. "Yeah, sure." She posed for a photo with the interloper.
Oblivious to her agitation, he lingered. "What's your name again? Kristen, right? Want me to show you my girl?" he asked, beginning to flip through images on his digital camera. "Just for her to know that I picked up breakfast at your restaurant. You know, we're the type of people that don't get out much."
Finally, he retreated. Stewart pulled the hood of her black sweatshirt over her head.
"It's strange when you become a novelty," she said, slouching down into her seat. "It's sort of like, 'Yeah, sure. Go put this on your Facebook so your friends can laugh at it.' Because that's what they will do. And I usually say no to people like that, when they're like, 'Yo, yo, can I get a picture of you?' And it's like, 'No, … you,' '' she said, interjecting an obscenity. "That's what I'm thinking."
Stewart, it's clear, is still grappling with fame, which came at her hard and fast when at age 17 she took on the role of Bella Swan in the "Twilight" vampire franchise, whose fourth installment begins production next month. She's always trailed by paparazzi. A frenzy breaks out whenever she's spotted off-set with "Twilight" co-star Robert Pattinson; tabloids speculate breathlessly about their personal lives.
(One celebrity website, for example, recently gushed about its "exclusive new details" on the pair's visit to a Play N Trade video game store in Prairieville, La., where they are preparing to film the first part of "Breaking Dawn." If you must know, they reportedly bought the game "Fallout: New Vegas.")
Unlike other young stars like Justin Bieber or Lindsay Lohan, who seem to relish sharing tidbits about their lives with fans on social networking sites like Twitter, Stewart has strenuously resisted constant demands to divulge more of herself to the public.
In past interviews, she's displayed a penchant for stuttering and eye rolling, consequently developing a reputation for being sullen, or awkward. During a 2008 interview with David Letterman, she self-consciously referred to herself as "actually really boring."
"I don't have a personality fit for television. I just don't," she admitted, sounding genuinely friendly. "Even when I really feel like I've had fun with something and been totally fine and we talked about stuff that I thought was interesting — even then. I don't know. It's getting easier. It used to be a lot worse. And it's totally my fault, too. I guess I just put too much pressure on myself before, and it showed."
Though she started acting half a lifetime ago — garnering early acclaim from the likes of Jodie Foster, who co-starred with her in 2002's "Panic Room," and Sean Penn, who directed her in 2007's "Into the Wild" — Stewart says she's been unable to nail a performance as a carefree, charming or cute interview subject, because that's simply not who she is.
Sixteen-year-old Dakota Fanning, who costarred with Stewart in "The Runaways" this year, picked up on her uneasiness during the film's media tour.
"I think that her being uncomfortable doing interviews — Kristen is exactly who she is. It's something that I admire her for," Fanning said. "When she's doing an interview, she really thinks about what she's saying. She's a truthful, honest person, and wants that to come across so badly."
Things got so bad, her team sent her to media training.
"Basically, they told me that I should be ready for any question that's thrown at me, and I should have a stock answer, because then it won't confuse things and you'll never be caught off guard," she recalled. "And there's no way to do that. There's no way to be prepared for a conversation with someone you don't know about something that means the world to you."
What seems to worry Stewart most about all the scrutiny, though, is that it could take away from her reputation as an actress with actual talent. It was her performance in "Into the Wild," before "Twilight" even came out, that convinced director Jake Scott that she was right for the lead in "Welcome to the Rileys."
"What I got from her in that movie was this vulpine, wily, kind of fox-like quality," he said. "She's got a way of looking at people that I found really compelling."
In Scott's film, Stewart plays Mallory, a foul-mouthed teen living on her own in New Orleans, working at a strip club. When she crosses paths with married couple Doug and Lois Riley ( James Gandolfiniand Melissa Leo), they take her under their wing and help her begin to turn her life around.
To prepare, Stewart took pole dancing lessons, visited strip clubs and didn't wash her hair for five weeks. Her appearance was so convincingly trashy, she said, that when she walked into a club off Sunset Boulevard, the owner offered her a job. The actress persuaded him to let her talk to the dancers to get insight about their lives.
"The only thing that I can figure out is that something most of the time was taken from them," she said. "Like, you can't hurt me more than I've already been hurt. And you can't abuse me more than I abuse myself every day, so I'm gonna take from you. I'm gonna take your money."
Her interest in bringing authenticity to the film energized Leo.
"There's a lot of young folks who want to be actors, but when they really have something going on, it makes me excited," said the Oscar-nominated actress. "She was 18 when we shot the movie — almost too young to know all the stuff she does, to get inside something like that. She had the willingness to literally be exposed in the way she was."
Scott says Stewart has become more confident in the two years he's known her and hasn't let celebrity warp her identity. "She's still Kristen to me — this kid from the Valley who's into Van Morrison and watching movies and hanging out," he says.
Fanning, though, says it might behoove Stewart to recalibrate her attitude about fame.
"Situations have happened to me when I was a cheerleader at school and paparazzi would sneak onto the field. It's something that comes along with what I've chosen to do with my life," said Fanning, who wasn't even 10 when her star took off after 2001's "I Am Sam." "Sometimes you have to accept it, even if you don't think it's fair or right."
Stewart fears that adopting that attitude might destroy her.
"I love my job," she said. "And because of that, I need to protect it."
Twenty Incredibly Serious Minutes With Kristen Stewart
Foulmouthed and feral, the kohl-eyed stripper-prostitute portrayed by Kristen Stewart in Welcome to the Rileys is a battery of neurotic tics: she nibbles her fingers, scratches her undefined lips, and shakes one foot mechanically. There are bruises on her calves from pole-dancing. Her hair is unkempt, her skin waxy. In her willful self-neglect, she is pitiful.
This 17-year-old apparition could, in a different life, be Bella Swan's sister -- the promiscuous one who acted out and vanished, leaving Bella uncertain, unsmiling, and ill-equipped to deal with rejection. There's no such sister, of course, in the Twilightmovies to rationalize Bella's depressiveness, alienation and her attraction to the undead and the vulpine -- though part of it stems from her parents' split. But Stewart makes Mallory, the girl inRileys, so defensive and evasive, so willing to offer a lap-dance or oral sex in lieu of explanations, that we know she has a history fraught with traumas, desertions, and betrayals.
"We find her on the cusp of giving up, of becoming one of those girls that you see in those clubs who are dead inside," said Stewart, 20, in a recent interview. "They really have nothing behind their eyes when they look at you, you're not equals anymore because they've lost something -- they don't feel wholly about themselves. She's been abused and made to think that she's a lesser person, and she truly hates herself. She doesn't have the capacity to trust other people, or feel worthy of love. But hopefully in this movie, if it's the movie that I wanted to do, I think you can see that she's starting to envy people that are more whole, that like themselves. I'm not saying that she makes a full recovery, but what happens to her in the story does spark a question."
Stewart and I had 20 minutes together in a Manhattan hotel room that had been stripped of everything except three chairs. "Spare," she observed. She wore a black and white check shirt and jeans. There was no small talk, just an interview. She was serious, impersonal, passionate when she got going on the subject of her work, the words tumbling out in a rush: I liked the sense that acting mystifies her. And then she was gone, leaving her sunglasses on the floor. Instead of signing onto eBay, I gingerly returned them to the aide, or agent, standing outside. That was that.
Following Stewart's stealthy, brooding Joan Jett in The Runaways, her performance in Rileysfurther complicates the actress's image, which has been founded on passivity and a certain wryness. Not that Bella is archetypal. In making her moodier and less knowing than most high-school movie heroines, and bequeathing her her own shyness, Stewart has maintained the character's elusiveness; no mean feat to pull off over the course of three tentpoles (it'll be five by November 2012).
Mallory, in contrast, is an imploding force of nature. In her fishnet holdups and gloves, she is less the hardboiled hooker she imagines herself to be than a lamb in vixen's clothing, a child playing brutalizing adult games. Strung-out and slummocky, Mallory is more convincing that the movie itself, for along comes a well-to-do plumber (James Gandolfini), grieving for his dead teenage daughter, to attempt her rescue. He rejects her crude sexual advances, cleans her apartment, and fines her for saying "fuck." And then along comes his wife (Melissa Leo), surmounting her agoraphobia to chase him to New Orleans, to complete the makeshift Riley family.
As both fairytale and three-way psychological case study, Jake Scott's film is overly schematic, but it's not without reality checks: as when Mallory flees into the night yelling back at her surrogate parents, "I'm nobody's little girl -- it's too late for that shit!" As damaged as Mallory is, Stewart gives her the bitter integrity of someone who, having made her squalid bed, is going to lie in it. And she has her principles: "I don't do anal, German Shepherds, or porno tapes," she tells Gandolfini's Doug, who's more intent on unblocking her toilet. It's unsettling to hear Stewart say these words, and it was unsettling for her to play the part.
"I was very scared of it, actually," she said. "Both well before I did it, when I was too young to play her, and then all through rehearsal. But once we started shooting, I shocked myself in that I was unselfconscious about not wearing too many clothes or saying the words that were coming out of my mouth. I was finally ready and, I don't know, mature enough that it didn't bother me."
Mallory's liaisons with her johns, one of whom leaves her with a busted lip, take place off screen, but they troubled Stewart nonetheless. "I know that we never have to see that, but that doesn't matter because at a certain point it becomes technical -- you have to play it as if it happened, so there's really no difference. If it's all inside, if you don't have to show her being worked over by some guy, it's not less difficult to play. One thing I couldn't get out of my head -- and this is overtly sexual and explicit -- was that she was constantly open and, like, raw. It's awful, and it never goes away. You walk around with that always."
One of the byproducts of the huge media attention focused on Stewart -- specifically her relationship, whatever it is, with Robert Pattinson, her Twilight co-star -- has been the obscuring of her talent. Few critics have analyzed her understated style or the way she dominates the frame without appearing to do or say much. There are actors Stewart's age as beautiful as her, but none as compellingly reticent. In Welcome to the Rileys, as in the Twilight series and such diverse films asInto the Wild, Adventureland, and The Runaways, Stewart's acting has a steady pulse that's interrupted by sudden violent zigzags of emotion. She has no idea why her presence is so muted.
"I don't know where it comes from," she said. "I just want to achieve a certain feeling. You do have to be aware of what's coming out, because you're telling a story. You can't always lose yourself, although that's when it's at its best. I don't have a lot of control over it because I'm not really the best technical actor. There are actors I've worked with who, at the drop of a hat, can pull out whatever they need to convey something. My most heightened emotional scenes have always snuck up on me. I've never been able to push a tear out. You have to have a faith that, because you love a part so much, what you're trying to do will find it's way through you, but sometimes it doesn't. That happens to me all the time. I don't think I'm ever going to acquire that skill, and I'm pretty sure there will be times when people will get confused and say, "That's weird -- she should have been so much better in that." But there will times in between where I'll get lucky."
She pauses. "Oh God, the thought of doing something and thinking you didn't do it justice, you didn't do it right. It's the worst feeling -- I can't even explain it to you."
Monday, October 25, 2010
Saturday, October 23, 2010
Warm Welcoming
(NEW YORK) Kristen Stewart and James Gandolfini, both fueled by mega pop culture phenomenons like Twilight and The Sopranos, drew quite a crowd Monday night during the Cinema Society and Everlon Diamond Knot Collection screening of Welcome to the Rileys. Guests likeChristina Hendricks, Gerard Butler and Danny DeVito stepped out to see the film, which tells the tale of a young, wayward teenager (Stewart) who creates a bond with the Rileys (Gandolfini and Melissa Leo). Stewart admitted she shares a sense of humor with her character but is more demure. “I’m not as vulgar as she is.” She paused and continued, “I do curse, just not nearly as badly.”
In addition to having a penchant for cussing, Stewart’s character works as a stripper. “I actually went to a strip club for the very first time,” said the actress on her preparation for the role. Sporting dark locks for the Twilightfranchise, Stewart confessed she’s been going non-stop. “I was literally working on Breaking Dawn this weekend, and I haven’t had time off in a while. But you know, it really doesn’t bother me. I’m kind of boring. If I did have time to myself, I would probably just do nothing.”
“You have to be into the whole Twilight series, right?” asked James Woods, as he nodded towards his girlfriend, Ashley Madison, who quickly corroborated. “I’m 24 and so all my friends and I have read the books. Couldn’t put them down!” Meanwhile, Hendricks, arm-in-arm with husband Geoffrey Arend, confessed, “This whole experience is new for me, I’m excited!” Director Jake Scott revealed, “There were some pretty nasty things that happened during filming, because it was in a really rough part of New Orleans…But Jim [Gandolfini] lightened the mood on set, because he likes to make animal noises. Like a screaming donkey or something,” he said and demonstrated. “I really don’t know what animal, but he would do all these weird noises after a take and we’d all be like, what is he doing?”
Post-screening, guests dried their eyes and headed over to the new Club Room at the Soho Grand Hotel, unwinding with a bit of DeLeon tequila. Meanwhile, Stewart slipped out of her Valentino frock and into something more comfortable—jeans and a knit beanie. With the 31st looming near, Woods shared a memorable Halloween snafu. "One time I was on the Tonight Show back when it was Johnny Carson. It was one of the first times I had been on a show like that, and I just wore a plain suit not realizing it was the special Halloween episode. Johnny asked, ‘What kind of costume is this?’ And I said, ‘I’m going as a republican.’”
EMILY POPP
EMILY POPP
Kristen Stewart: Motherhood confounds me
In the upcoming "The Twilight Saga: Breaking Dawn," Kristen Stewart's character, Bella Swan, becomes a mother. But that's a reality the actress says she has a hard time comprehending.
"My best friend just had a baby. She's my age. So I'm a godmom now, which is ... crazy," said the 20-year-old during an interview to promote her upcoming film "Welcome to the Rileys."
Asked if the experience was helping her tap into her own maternal instincts, she replied: "It's actually making me realize more that I have absolutely no idea. Like, I see that going on, and I'm like, 'Oh, my God.' "
Though "Breaking Dawn," the fourth installment in the “Twilight” franchise, doesn’t begin production for a few weeks, Stewart says she's already been caught up with preparations for the film. She's had a number of meetings with director Bill Condon and has even temporarily eliminated some favorites from her diet.
“I want a cheeseburger so badly, but, you know, I have to be a vampire in a few weeks,” she said over lunch at a restaurant in Topanga, where she settled for a veggie burger.
Ironically, she won't even be able to show off her figure for the majority of "Breaking Dawn."
“I’m incredibly pregnant in the first movie,” Stewart said, adding that she has spent the last couple of weeks trying on prosthetic bellies. “I’ve worn it. It’s ... crazy. I’ve done fittings. It gets immense. It gets so massive at some point that it actually looks inhuman. Like it’s hurting her. There are striations of bruises.”
-- Amy Kaufman
Wednesday, October 20, 2010
Tuesday, October 19, 2010
Monday, October 18, 2010
‘Breaking Dawn’ - ‘I’m Really Excited About This One!’
Kristen Stewart chats with Access at the “Welcome To The Rileys” junket about the final chapter in “The Twilight Saga” series, “Breaking Dawn.” What is she most excited for in this movie? Plus, why does she say this movie is the most “satisfying” of the series?
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